Tonight I went and saw the new Batman film, The Dark Knight, and I thought I should review it while it’s still fresh in my head. I have good news and bad news to relay about this film. First, it is possible that this movie falls just short of the hype surrounding it. That’s not to say it isn’t a good, solid summer action movie, because it certainly is that. It’s easily the best movie of the summer so far, and I seriously doubt there’s anything left on the summer schedule to top it. But the hype surrounding this movie was epic, and only an epic film of “Lord of the Rings” or “Godfather” proportions could have justified it. I’m not sure it measures up that high standard, although I wouldn’t be surprised if it won a well-deserved best picture nomination.
What’s wrong with the movie? Well, it’s too long, for one thing. At about two and half hours, I thought the last 15 to 20 minutes felt a little forced and superfluous. The writers and director also tried to cram a little too much into the last third of the film. For one thing, there was a regrettable bit at the end where Batman uses this mega-computer, electronic surveillance thingy with about a thousand screens that can monitor every cell phone call in the city. Supposedly, the purpose of the machine is to help Batman track the Joker, but his conscientious R&D guy (played by Morgan Freeman) objects that it’s “too much power for one man.” Keep in mind, this is the same worldly wise tech geek who has been building badss machines like the bat mobile, which is basically a crossbreed between a Hummer and a Tank on steroids, as well as million dollar body armor, motorcycles with machine guns, and who knows what else. All that is OK, but the supercomputer that looks like a leftover prop from *The Matrix? Oh no, that’s “too much power.” The gizmo is an obvious attempt at tackling the very serious issue of electronic surveillance in our own society, but it’s a shallow attempt at best. About ten minutes after we see the thing it melts down when Morgan Freeman enters a password that triggers a self-destruct mechanism. Apparently, electronic snooping is OK as long as you only do it once.
The other part that I found a little forced was the introduction of a second major arch-villain, Two-Face, who fans of the comic books, the cartoons, and the TV series will remember as a major character in his own right. For a while I thought they were bringing Two-Face into the mix so he could star in a sequel, but then they killed him off in the last five minutes. It was a shame because the character, played convincingly by Aaron Eckhart, seemed like he had a lot of potential.
Naturally, the subject of wasted potential brings us to Heath Ledger’s portrayal of the Joker. Believe it or not, some people are still debating whether Ledger’s Joker is the best Joker ever. Some people are even asking who should be the next Joker. The answer to the first question is, “Um, yeah.” The answer to the second question is, “nobody.” Ledger didn’t just succeed in this role, he owned it and finished it, at least for a generation. I mean that his performance was simply so incredible that only a fool would try to cast another actor in this role for years to come. Can you imagine someone other than Tom Hanks doing a sequel to Forrest Gump? Or to use a more appropriate analogy, can you imagine someone other than Anthony Hopkins playing Hannibal Lecter? Some day, if the movie watching public has enough time to forget, we will eventually see other actors in those roles. But not now, and not any time soon. The same is true of Ledger’s Joker.
No theatrical performance, no matter how brilliant, can ever justify the loss of a human life. And if it is true, as some have suggested, that Ledger’s mastery of the Joker character helped contribute to his untimely death, then that is no less of a tragedy than if he had died making a crappy sequel to A Knight’s Tale. But oh my, what a performance! It’s a shocking role, and not just because of the violence, which was bad enough. During the course of the movie the Joker kills a his victims with a pencil (don’t ask), a shard of class, gasoline, knives, nooses, and an assortment of other conventional weapons. But beyond the violence, there is something deeply sinister and disturbing about Ledger’s demeanor, voice, and body language in this role.
I’m not given to hyperbole over movies, but an ordinary word like “terrifying” just doesn’t cut it in this instance. Perhaps gorgonian hits closer to the mark, because this Joker seems more like a creature out of a dark myth than a comic book. A Puerto Rican friend of mine once told me a shocking story about how one of his relatives got a little too deep into studying voodoo, and lost his life (and possibly his soul) because of it. My friend was a talented liar, so I have no idea if the story was true or not, but watching Heath Ledger’s Joker gave me much the same kind of feeling as hearing that story. It was almost like there was something a little too real, too visceral, about the apparition Ledger brought to life on screen. I felt that if I had been the actor’s friend I would have told him to stop, walk away from the set for a while, or maybe quit the movie altogether. I am sure that’s a huge over-reaction, but that’s what I was thinking at the time.
Next to Ledger’s Joker, the other actors’ roles pale in comparison. But it would be a shame to end this review without mentioning the solid work done by veteran actors like Michael Caine (Alfred), Maggie Gyllenhaal (Rachel Dawes), and Gary Oldman (Commissioner Gordon). And of course, Christian Bale delivered another fine performance as the Caped Crusader. If Bale was somewhat overshadowed by the actor playing his arch-nemesis, he has no reason to be ashamed of that.

Provoking thoughts of the movie
Rod_Patrick Saturday, July 19th at 6:25AM EDT (link)I have a different view of the movie.
Never mind if the movie is another flick from the friends of Soros.
I'm not sure about that
Leverkuhn Saturday, July 19th at 6:35AM EDT (link)I hate to say it, but I think you’re reading a lot of political undertones into an essentially non-political movie. The film does have a lot to say about justice and the upholding the law, but nothing really about contemporary political affairs (at least, as far as I can tell).
However, I do agree with you that it was a great film, and that Heath Ledger was a lot better than Jack Nicholson in this role.
Thanks for commenting.
“Senator Joe Biden is … a man so full of cr*p his speeches bear an awful resemblance to twenty minutes of flatulence preceded by ‘Good evening ladies and gentlemen,’ and followed by ‘God bless America.’”
- Leverkuhn
Well
Rod_Patrick Saturday, July 19th at 6:39AM EDT (link)Whenever Hollywood releases a film, there’s always a political undertone on it. That’s my 2 cents.
But you are right. Maybe I’m just too politically inclined because of the election fever.
I'm going to see the movie
kowalski Saturday, July 19th at 9:07AM EDT (link)But from the description here it sounds like a not-too-veiled kick, and you’re right: there’s never an instance, no matter how fantastic the movie, that Hollywood doesn’t write those into the script. Every movie that’s produced by a Hollywood studio has at least one, and most of them have hundreds.
Hollywood is the world’s greatest and glitziest propaganda tool, and all the propaganda goes in one direction.
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As far as the effect of "Hype"
kowalski Saturday, July 19th at 9:14AM EDT (link)I’m proud to say that I’ve barely noticed it and I could take this installment of the Batman Movie saga or leave it, but then again I very rarely watch TV.
So the advertising budget and the hype was wasted on me completely, as it has been with almost every Hollywood film produced and distributed since 1998.
The last movie I saw and reviewed here on Redstate after seeing it in a theater was “No Country for Old Men” which I enjoyed for the performances (mostly because of Tommy Lee Jones) even though it was the bleakest movie that I’ve seen in moral terms since “Eyes Wide Shut.” Maybe even bleaker. Everyone will recall that the protagonist in that movie hermetically seals his fate and that of his family the instant he awakens with a conscience for a dying man.
I wish you’d talked more about the parallels between fantasy art morals and real-life ones in this review. Now I have to go and see it myself and write my own ;).
But otherwise it’s an interesting review and it’s nice to see you blogging like this again, Leverkuhn.
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The entire film was an analogy of the War on Terror
Pi Over Three Saturday, July 19th at 9:23AM EDT (link)Spoilers ahead!!
First: Yes, I am extremely torqued off that Two Face was treated as B-list villain. I was under the impression that they were setting up Harvey Dent to turn in the next movie. When they showed him in the hospital bed, I thought that would be the end of him for this movie. He is well-developed character in his own right, the transition from “White Knight” to Two Face is worthy of its own movie (sorry, but that one scene where he has a gun to the head of a Joker henchmen is not a transition). Most of the remaining villains are gimmicks (such as Mr Freeze) and would be incredibly lame in Nolan’s more realistic version of Batman.
Seeing Dent as two face was one the most shocking moments I have ever seen in a movie theater, and coming from a movie filled with them, that’s saying something. (And for my next trick, I will make this pencil … disappear.). /End fanboy rant.
Analogy to the War on Terror
While nearly every aspect of the film was part of the analogy, it didn’t have a have message in your face “this how the world is, and this is what you should think about it.” In fact, it leaves no conclusion of any kind, leaving it up to you to decide for yourself. And that is what makes this one of the best movies I have ever seen.
Obviously, Batman is supposed to represent America. At first glance, it seems like the film is trying to say that America’s self-justified vigilantism (during one of the opening scenes, Batman rounds up a bunch of lame pretenders who ask “what makes you different form us”) only produces more dangerous, more violent, and more unpredictable madman, such as the Joker, and in real life, radical Islam. In the movie, the reason the Mob turns to the Joker is out
But wait, if Batman’s actions are only escalading the violence (one of the criticisms of America), why did he begin his crusade, and what propose do they serve? Dent has the answer. During the scene where he has dinner with Bruce, he talks about how the only reason that Batman needed to come into existence was because everyone allowed corruption and crime to flourish around them. If everyone had individually taken a stand, and dealt head on with problems initially, the world wouldn’t need Batman, and it is because of him that other people, like Dent himself, are inspired to take a stand. Later, during a press conference, he talks about how things have to get worse before they get better, and how the night is almost over and the dawn is coming.
And then of course there is whole “even though everyone secretly knows that what he is doing has to be done, we must all pretend that we oppose him” aspect of how we turn on those who do the right thing. Even before Dent becomes two face, there is constant worry that all the work he has done will be undermined by any character flaw his opponents can find.
There is the “how far and dark can you go before you are no better then the villain” theme, like is required in any movie of this type, but unlike other films, it actually works in this one.
That’s not to say that the whole movie reflects our point of view. There were quite a few other ideas that I’m sure there something over at daily kos. goes to check Just one guy who says the move is “Democratic (like the party) because, well he says it is, and that all there is too it., and another guy who is bothered the whole idea of heros, because “It’s like we the little people need some rich guy to save us.”
I have to go to work soon, but there is so much more that I wish to write. Maybe I will after I see it again this week.
I drive a car powered by hydrogen - C8H18 to be exact.
New York Magazine thinks so
Jeff Emanuel Saturday, July 19th at 2:09PM EDT (link)Link.
Pathetic.
JE
Well, I wouldn't go that far ...
Leverkuhn Saturday, July 19th at 2:20PM EDT (link)I wouldn’t go so far as to say that the “entire film was an analogy for the War on Terror.” But I do see a few obvious allusions. If I understand you correctly (and I think I do) you’re saying that the Dark Knight leaves those questions open, and I agree with that. It’s best if a movie doesn’t try to force feed you a particular point of view.
Mostly, I think the film was just a good, old-fashioned crime drama, and that’s fine by me. The Dark Knight had it’s limitations, but mostly they were the limitations inherent in the comic book / superhero genre as a whole. We shouldn’t go to such movies expecting to get substantive treatment of real-life issues, and if the film-makers attempt to give that to us they usually stink at it anyway.
“Senator Joe Biden is … a man so full of cr*p his speeches bear an awful resemblance to twenty minutes of flatulence preceded by ‘Good evening ladies and gentlemen,’ and followed by ‘God bless America.’”
- Leverkuhn
Well, not all of the propaganda
Leverkuhn Saturday, July 19th at 2:24PM EDT (link)Not all of the propaganda goes in one direction. We’ll always have Red Dawn. (-;
“Senator Joe Biden is … a man so full of cr*p his speeches bear an awful resemblance to twenty minutes of flatulence preceded by ‘Good evening ladies and gentlemen,’ and followed by ‘God bless America.’”
- Leverkuhn
Well, New York Magazine is full of it
Leverkuhn Saturday, July 19th at 2:29PM EDT (link)Yeah, but I think they’re full of it. The politically minded always see politics in films, whether it’s there or not.
Having watched the Dark Knight, I am pretty sure I didn’t see any GWB references, and they’re usually pretty easy to spot. Sometimes, I think the politically minded want everything to be about politics, which would be a very bleak world indeed.
“Senator Joe Biden is … a man so full of cr*p his speeches bear an awful resemblance to twenty minutes of flatulence preceded by ‘Good evening ladies and gentlemen,’ and followed by ‘God bless America.’”
- Leverkuhn
Thank you for the kind words ...
Leverkuhn Saturday, July 19th at 2:30PM EDT (link)… and the recommend.
“Senator Joe Biden is … a man so full of cr*p his speeches bear an awful resemblance to twenty minutes of flatulence preceded by ‘Good evening ladies and gentlemen,’ and followed by ‘God bless America.’”
- Leverkuhn
That's why
Rod_Patrick Saturday, July 19th at 3:02PM EDT (link)I’ve immediately kept my own appreciation of the movie on the viewpoint of a Republican, ready to prove that the heroes of “The Dark Knight” movie are really the Republicans… like me (Whew!). Call me biased but who’s listening.
Pelosi as Joker
Rod_Patrick Saturday, July 19th at 8:18PM EDT (link)This is how Human Events painted Pelosi as a Joker (no pun intended).
No malicious intent here guys. I just want to illustrate here that the subject movie becomes a fair game in this election.
PS: It’s just okey if RS bans this comment.