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Bob Dylan Unmasks the Left’s Plantation For What It is.

No slander ever accused Bob Dylan of being a “conservative” as we know the meaning of the term.

In the early 1960s he was a “Liberal” kid-philosopher/poet, just a few years older than me. But was he really of the Left? After all, Dylan was a Civil Rights poet who seems to have actually believed his own stuff. And still does. Moreover, it seems, while the Left used the “religion” of black Americans as a prop in those days, Bob instead took their religion on as his own for awhile, and today continues to be shrouded in the tallit of prayer. Not a very Left wing thing to do, you’ll have to admit.

I never liked Bob Dylan’s singing. In fact, he couldn’t sing worth a damn. He had a gravelly voice that gave me a headache. But I loved his lyrics, only better when someone else sang them, people such as Peter, Paul & Mary, Joan Baez and Judy Collins. And he wasn’t real handsome as singing stars go. His dress? Ugh!  Worse, what it represented, which was an unwashed, uncombed smelly menagerie of children…my exact age then…who insisted that I was an establishment conformist in my button down madras shirt while they were free spirited non-conformists in their tie-dyes and seedy dungarees…only to be caught red-handed by Madison Avenue while standing in line to buy, New, Off-the-Rack dirty shirts and jeans, designed and manufactured to look as if they if had just fallen off the back of a UNICEF truck in Gambia, only costing $24.95 instead of the usual 3-for-a-dollar down at Goodwill.

This beat  goes on, you know, not unlike many bloggers today. Looking seedy is expensive. PT Barnum was right. There’s a sucker (and phony) born every minute.

In two-three short years these armies were wearing “uniforms” just like me, which told me far more about them than all their recitations of Marxian dialectics, interspersed with incantations of “Yeah, man”, combined.

And I decided not to be one of them. Although a liberal, I hadn’t taken complete leave of my (common) senses, for try as I might, I could not draw a straight line between fighting to give the vote to black people in the South, who, since I lived there, I knew to wear suits, white shirts and ties, and sitting around in dirty hovels like howler monkeys picking nits out of each others’ hair. And gad! Although I was bedazzled for a few weeks at the sight of an un-encased breast, I soon came to understand why God had invented the brassiere, since in femininist breastdom, at least 80% of them were in dire need of support. No wonder the Germans laughingly called them Floppenschtoppers. Ever time I hear “Going Up the Country” (Canned Heat) I get a cold shudder up my spine.

Now I’m not the first conservative to comment that the Left long since abandoned the lyrics of Bob Dylan’s “freedom” music. Take “In The Wind’s”

“How many years must some people exist

Before they’re allowed to free”

Who believes that on the Left today? Or even in 1980?

The “Times are A’Changing” has even become a theme song for several Tea Party groups. Again I like Peter, Paul & Mary’s version, who interestingly were Christian, practicing Jew and atheist respectively.

I’m not a student of Dylan’s music but could cite several lines from his “freedom music” that the Left abandoned as soon as they came into daddy’s money, or got seniority in the English Department. His anti-war music still “rocks” among the uninitiated Left, only since Roe V Wade, it’s long since lost any anti-death theme. It seems the Left is opposed to only certain kinds of death, while Dylan, much like Roman Catholics, had a thing about killing all things, not just the enemies of the United States (and freedom) on battlefields around the world. And while I might disagree with this view, I always admire people who mean what they say. (That’s why I get along so well with “real” communists.)

Lenin once said that religion was the opiate of the masses. But he didn’t say that it couldn’t be spoon-fed to people to keep them on the plantation.

Since Dylan didn’t sing other people’s music, he never sang religious music in the old days. But in the late 70′s, after composing one of the sexiest songs ever, “Lay, Lady, Lay” Bob Dylan up and got born again. Mind you, he didn’t “find God” or have a “personal revelation” as one might try to find God hiding about in an Anglican chapel in England; he was born again, knocked-down-to-his- knees saved. A few years later he became a Jew again but still a practicing one…a return to his roots, and who can argue with that? He’s never left God.

But some interesting things happened along the way.

The Left left him…

….telling us nothing about Bob Dylan, mind you, but proving everything about the Left, which sadly, very few African Americans know.

I only wish they could know this.

You see, when Bob Dylan “got saved” in 1979, for 2-3 years all his music was religious. He even refused to play old standards at concerts. He was a missionary of his new found faith. The Left’s retreat from Dylan was based entirely on this religiosity. It started out as a planned withdrawal, deftly and subtly going after Dylan “bitter clingers” music critics and serious fans (his first album was a huge success, interestingly titled “Slow Train Coming”), but by the mid-80s this had turned into a full scale retreat more like Napoleon at Moscow, where only the chosen survived. Pro-Dylan careers were dashed, and pro-Dylan fans were excoriated in all the places only music aficionados go. The Left’s love for Bob Dylan had turned to icicles, and in the music business, as we saw when no less than Tipper Gore tried to take on the rap-masters at Time-Warner, the Left and plantation politics call the shots.

During the 1960s, every folk singer or group, except Bob Dylan, had a musical repertoire that included religious music that was predominantly associated with the black community and the Civil Rights movement. I’ve collected it for years. Civil Rights and Religion and folk music were joined at the hip. “We Shall Overcome”, “All My Trials Lord”, and an assortment of folk songs, before “Negro spiritual” had fallen into disfavor, all about the bondage of the Children of Israel which black Americans identified with in their history stemming back to the days of slavery up to the Civil Rights days.

I’d give worlds if some Republicans would go back and listen to some of those songs…BECAUSE THEY WERE OUR SONGS, Martin Luther King, Jr’s, (a Republican’s) songs, and not the songs of these filthy unwashed nit-picking howler monkeys in the Democrat Party and the plantation trustees like James Clyburn, Jessee Jackson and Jeremiah Wright.

Some things never change, so, carpe diem!

Bob Dylan brought all this to light. I’m just reporting it, and why I am reporting is that I just bought a new car which came with a free 90 day subscription to XM radio and the only station my wife and I could agree on was the folk music station, which, for the first time since 1964, I recognized as being as Leftist and sick as it probably was way back then…only then I didn’t know any better.

Go Tell It On the Mountain

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COMMENTS

  • http://impudent.edublogs.org/ kyle8

    It is obvious that he sought after spiritual things, and that simply has no place in the modern day left.

    Even back in the 1950′s and 60′s when they sang folk songs with religious messages they never meant it. The only religion is Marxism, or possibly some slightly more nuanced and newer form of socialist humanism.

    Ultimately their god is power. Political power and the state is what they serve, what they long for, and is what is all important to the left. That is what they worship.

    • http://www.gmsplace.com/ civil_truth

      …or accountability only to yourself, which leaves you free to pick and choose as you like. And of course, so long as you accept the postmodern edict of tolerance that everyone has their own spirituality story and everything’s cool, so long as you don’t make a truth claim that applies to everyone – that’s not tolerated.

      So the reason that orthodox Christianity and Judaism are so hated by the left is precisely because the religions assert that we all are accountable to the God of the universe who is external to ourselves and who defines truth. He’s in charge and sets the rules, not us.

      • aesthete

        by those who want no limits on government.

      • http://thesandsinstitute.org Vassar Bushmills

        …that a people who’s entire worldview is against “judgment”is so filled with sanctions.

      • renny

        or creed or dogma, liturgy or sermon

        Believing in angels and aroma therapy is ok with the left, but not belief in being saved or, heaven forefend, seeking repentance.

        The left believes in goodness, but only as it applies to PC strictures and kow towing to various approved groups and power mongers. Goodness never applies to conservatives or skeptics, members of organized religions except publicity hounds who call themselves reverends or pastors of the right color or ethnicity, especially dark-skinned ones or aliens from distant countries and planets.

        The left is dutifully multicultural among all the non-Western and non-Christian religions and philosophies as long as no prohibition is laid on their personal choices and sexual freedom.

        Just let it all hang out. Dude.

        • SoulEspresso

          You have to have both to get up and walk around.

          The reason much of the left hates religion but loves spirituality is that spirituality doesn’t actually do anything without the laws and dogmas and non-governmental community that religion consists of.

          Put another way, if people have other places they can go to get their needs met, why would they need the government?

          • http://www.examiner.com/x-1597-Charlotte-Law--Politics-Examiner Mike gamecock DeVine

            of things hoped for and the evidence of things not seen. – Hebrews 11:1

            But Jesus also established a church that his apostles organized because he wants his followers, with all their flaws, to fellowship with one another in the real world as well, and the world is infinitely the better for it.

            Amen?

  • http://impudent.edublogs.org/ kyle8

    It is obvious that he sought after spiritual things, and that simply has no place in the modern day left.

    Even back in the 1950′s and 60′s when they sang folk songs with religious messages they never meant it. The only religion is Marxism, or possibly some slightly more nuanced and newer form of socialist humanism.

    Ultimately their god is power. Political power and the state is what they serve, what they long for, and is what is all important to the left. That is what they worship.

    • http://www.examiner.com/x-1597-Charlotte-Law--Politics-Examiner Mike gamecock DeVine

      know he can’t sing but heck, neither can I

  • luciusacius

    If we are going to win the battle for the soul of America, which I think is liberty and justice for all, we must return American culture to the moral, spiritual citizenry the founders relied upon. That means looking at everything about America and determining where the rot has set in. No one brings this point home better than our esteemed Mr. Bushmills. Thank you for expanding our view beyond the political once again.

    • SoulEspresso

      Sorry, Contemporary Christian Music don’t cut it. like them but they are culturally insular.

      • powertothepeople

        in the CCM world, cheesy and talented as well. And the same could be said for the secular world as well.

        Just because you do not like any of the styles does not mean they need to give up their ministry just to please you. If you do not like it, great. But how about we do not act as if one opinion speaks for all of CCM.

  • penguin2

    Over the hills and everywhere. Go, tell it on the mountain, that Jesus Christ is born.

    I loved the old Negro spirituals and remember when they were taught in public schools. Some of the most beautiful American religious music I’ve ever heard.

    • http://beaglescout.wordpress.com Beaglescout

      Refrain
      Go, tell it on the mountain,
      Over the hills and everywhere
      Go, tell it on the mountain,
      That Jesus Christ is born.

      While shepherds kept their watching
      o

      • conservativecurmudgeon

        …was, as he always said, “just a song and dance man”.

        Simon and Garfunkel did a wonderful version of “Go Tell it On the Mountain”, which was on their first album. The very idea that a person can write and market “folk” music is a sham. “Folk” music, of course, is part of the oral history of a culture– not a commodity. Pop music is a commodity (which, of course, may BECOME part of a culture’s “folk tradition”, given enough time)

        The fact is, the whole counter-culture movement was based not on some higher spiritual attainment that the kids then embraced, it was mostly about pure physical cowardice, and an unwillingness of a growing number of them to expose themselves to the military draft. Nothing more, nothing less. The 1971 March on Washington was attended by over a half-million kids. When Nixon ended the draft in 1973, the same folks that organized the 1971 march couldn’t get 30,000 to attend, even though the Vietnam War was still raging. So much for moral urgency.

        The music, therefore (especially pop music) was simply a reflection of this need to camouflage the base instincts about cowardice with the banality of faux-poetry and lyrics about peace and justice. Dylan oftentimes touched on this stuff, but was not up to his neck in it David Crosby and so many others.

  • pilgrim

    The guy they really liked the best is Frank Zappa according to Czech Vaclav Havel.
    Zappa and V

    • http://vladenblog.tumblr.com Vladimir

      “Ev’ry town must have a place where phony hippies meet.
      Psychedelic dunces hanging out on ev’ry street.
      GO TO SAN FRAN-CIS-CO-O-O!”

      He was quite the hardcore libertarian.

      • dudette

        Remember Dont eat the Yellow Snow ? from Sheik Yerbouti i think

        • SoulEspresso

          but let’s not confuse him with a person of faith … that may have been why he had an easier time of it over there.

  • texasgalt

    The Plantation mentality has brought us to this:

    Federal Reserve Chairman Ben Bernanke is stepping up his defense of the Fed’s $600 billion Treasury bond-purchase plan, saying the economy is still struggling to become “self-sustaining” without government help.

    In a taped interview with CBS’ “60 Minutes” that aired Sunday night, Bernanke also argued that Congress shouldn’t cut spending or boost taxes given how fragile the economy remains.

    The Fed chairman said he thinks another recession is unlikely. But he warned that the economy could suffer a slowdown if persistently high unemployment dampens consumer spending.

    How bad is it that it has come to such desperation? This Bernanke nonsense is little more than acknowledgment we are knocking on heaven’s door.

    Not even a wave can get at the Fed Chairman.

    What’s a social conservative to do when everything one stands for is in danger of being overwhelmed by astronomical spending and debt?

    • izoneguy

      without the government mucking about with it.

      The black market is on the rise. Barter is becoming the only way many people are surviving.

      • texasgalt

        with the econonmy to even greater degrees. They’ll make criminals of us all if we can’t turn them back.

        This sure aint no way to run a railroad. Even a die-hard Type A like Dagny figured it out. Dylan too, it would seem.

        The plantation has gotten too big.

    • http://dreamsfrommyforefathers.com RoguePolitics
  • calgacus

    Don’t kid yourself. And especially after Goldwater v. Johnson.

    • http://www.hakubi.us/ Neil Stevens
      • SoulEspresso

        Right.

        Democrats still hate black people. If they didn’t, they wouldn’t push policies with a forty-year history of failure on the inner cities.

        • calgacus

          http://www.lewrockwell.com/orig/epstein9.html

  • Read Chesterton

    did a great job of portraying just how puzzled and angry Dylan’s contemporaries were with him for never joining them in becoming a screaming leftist demagogue. Joan Baez, to this day is totally mystified and quite bitter that Dylan stopped performing with her when she went on her anti-war crusade. I was quite surprised to learn that, while he may have been a liberal for a while, he was never for one second a mindless lefty loon. He just never paid one red cent in dues to that club.

    I highly recommend this video…

  • mriggio

    The mind retains the oddest trivia and sometimes it emerges.

    As a college freshman, our non-major Life Science class unanimously complained when Dr. Husa demanded we memorize the chemical sequence of photosynthesis, we School of Business guys protesting the loudest. Doc asked if any of us remembered the name of the curly gray haired old mentor physician on the TV show Ben Casey. Being the Smartest Guy in the Room I immediately blurted out “Sam Jaffe”, to which Doc Husa said, if you can retain that kind of garbage, the photosynthetic chemical sequence shouldn’t be a big problem, as I blushed through the red spectrum. He was right, I aced the mid-term.

    The XM radio ‘decades’ channels are as subtle; the Sixties, the Seventies and so on. I too used the free 90 subscription after buying new a few years back, discovering that invoking the information button on those channels yields the artist’s name and other trivia for each song. On long drives I drive my better half nuts guessing the names of groups and hitting the info button to check my memory, cheering myself on whenever I get one right. Its become something of an addiction.

    So I advise: beware the 90 day free XM subscription! It’s cost me more than a couple of bucks the last few years…

    • http://thesandsinstitute.org Vassar Bushmills

      I’m not allowed in that car except on long trips, the next one Spring vacation. Problem solved. But great point about our storing up trivia. I made my kids learn the “Charge of the Light Brigade’ in the same way..all because Spanky and Alfalfa had to in an Our Gang short.

      They can still recite it.

      Happy Christmas, friend. May Blessings on your house.

      • mriggio

        e Felice Anno Nuovo to you and yours!

  • http://dreamsfrommyforefathers.com RoguePolitics

    “I could not draw a straight line between fighting to give the vote to black people in the South, who, since I lived there, I knew to wear suits, white shirts and ties, and sitting around in dirty hovels like howler monkeys picking nits out of each others

  • nateleyswhore

    I’ve been a huge Dylan fan for years and consider him to be one of the greatest American artists of all time, in any discipline. Dylan was ALWAYS first and foremost and completely about the MUSIC. End of story. He hated the people in the civil rights and anti-war movements who tried to turn him into their “voice of a generation.” At several points in his career (plugging in at Newport, converting to Christianity, converting back to Judaism) he made dramatic left turns deliberately to shake off the slackers and believers who had accumulated on the back of his bus.

    If he spent one second giving a damn about what all these people wanted him to give a damn about, he would never have achieved the greatness he has. Ultimately selfish, but in the best possible way. He also has never shied away from making a buck.

    Dylan’s genius is that he was able to bring the heart of American roots music, which is an amalgamation of Christian spiritual music and African, Celtic, and French rhythms, and re-interpret it for the younger generation on a massive scale. Dylan’s lyrics can reach the heights of transcendent poetry, but I long ago concluded that they do not “mean” anything. They are just tree branches waving in the wind–beautiful, but pointing in no particular direction.

    • http://thesandsinstitute.org Vassar Bushmills

      Great observations, thanks. No matter his personal ambitions, Bob done God’s will and outed the Left, simply by being Bob.

    • LibertarianHawk

      I once heard Dylan say something to the effect of lamenting the way “The Times They-Are-a-Changing” became an anthem of 60s revolutionary counterculture. I can’t remember the context of his statement, but I found it interesting — because I’d always assumed that was precisely what he wanted it to be.

      Also, perhaps my favorite Dylan number is 1964′s “My Back Pages” — which critiqued how self-righteous he and other folk singers had become. It didn’t specifically disavow anything on philosophical or ideological terms. Rather, it just implored the “self-ordained professors” to take a long, hard look in the mirror, lest they “become (their) enemy”.

      While I’m pretty sure I don’t agree with Dylan on too much, I appreciate that kind of introspection in anybody.

      • http://thesandsinstitute.org Vassar Bushmills

        They do make strange bedfellows, though, don’t they.
        VB

  • marshmom

    That’s about all my husband and I listen to. It’s especially good from 12-3 eastern time!

  • mspector

    to his vision and his art. He never allowed anyone to define him or direct him.

    In his earliest folkie days he sang the songs of Woody Guthrie, focusing on the struggles of ordinary working people to survive and make a better life. He was a powerful voice for racial equality (“The Lonesome Death of Hattie Carroll”; “Oxford Town”). He didn’t comment on any particular war that I remember, but did stand up against the institutionalization of war (“Masters of War” — a song that also presaged his religious voyages).

    He first broke with liberal folkie orthodoxy at Newport in 1965, going electric in front of a crowd that he knew would revile him for it (for sheer hilarity find any documentary on that concert and watch Peter Yarrow trying to play camp counselor after Dylan’s first set).

    I was a leftist in those days, and the song that stunned me was “Maggie’s Farm” with its explicit rejection of the left and its effort to impose any kind of agenda on him (“I’m doing my best to be just like I am, but everybody wants me to be just like them; they say ‘sing while you save’ and I just get bored; I ain’t gonna work on Maggie’s Farm no more”).

    And who could miss his skewering of trendy liberal fashionistas in the song “Leopard Skin Pillbox Hat”? Or his embracing of country music with the “Nashville Skyline” LP and the elegiac “Knocking on Heaven’s Door” from the Pat Garrett and Billy the Kid soundtrack?

    Perhaps all this is why, throughout my 20-some-odd year journey from socialism to conservatism I never lost touch with Dylan’s music, and neither should any of us. He is and has always been about the individual and core values of liberty, respect for human dignity and each person’s right (if not obligation) to choose his or her own path (“You Go Your Way and I’ll Go Mine”). I don’t recall him ever announcing for any candidate on either side of the aisle.

    He performs regularly at county fairs and about two years ago did a tour of minor league ballparks with Willie Nelson. Why? As he told it, because he loves the human contact at these events. He came to our county fair about 4 years ago and I saw him walking around the grounds, alone (no entourage, no bodyguards, no groupies — just him in his slouchy hat), before the show. It happened that he looked my way; I recognized him and waved, he smiled and moved on.

    Zappa was a musical genius and individualist, but not exactly what I would call libertarian. He hated drug use and it was well known that if you went to one of his Topanga Canyon house parties and were high when you got there or were carrying you would be summarily booted out. Humor? Certainly. Who else could write a song like “Susie Cream Cheese What’s Gotten Into You?” or would have the nerve to put out an album like “We’re Only In It For The Money” with its cover parody of Sergeant Pepper? Zappa and Dylan met at the point where each was bound to follow his own muse and damn the consequences.

    Ultimately it’s all about free decision-making. We should have no problem with that.

    • http://thesandsinstitute.org Vassar Bushmills

      VB

      • mspector

        and will follow it. Thanks for what you do.

    • nateleyswhore

      I think you nailed it pretty well. If you haven’t read it, check out Dylan’s Vol. 1 of his autobiography, which came out about 5 years ago. It provides more great insight into the young Dylan, who was far more ambitious than anyone on the left would ever want brought to light. Dylan was more a Beatnik than anything else–and he was never, ever, ever a hippie.

  • Robert Allen Leeper

    You say ‘his first album was a huge success, interestingly titled

    • http://thesandsinstitute.org Vassar Bushmills

      Slow Train Coming was the first album in his “saved’ period. You’re right about the rest. Glad to see an old codger like myself.

      • Robert Allen Leeper

        I pretty much stopped listening to Dylan after his 4th – I don’t recall the title, but the one with “Gates of Eden” and “Mr. Tambourine man”. By that time I was into Buffy St. Marie, and a little later, Leonard Cohen (as far as this sort of music was concerned).

        I never paid much attention to the political/philosophical messages of this stuff.

        Thanks for your answer.

        • Robert Allen Leeper

          Many people remember where they were when they heard of the assasination of JFK – I do. But I also remember where I was when I heard of the formation of the Libertarian Party by John Hospers, of whom I already had a favorable opinion because of his Introduction to Philosophical Analysis, and others. The Republican Party at the time was Richard Nixon, so it seemed that the future was red (which then meant socialist or Communist). Here was a breath of fresh air and a hope for the future for one who was in tune with, though who would only come upon the writings of Ayn Rand.

          • Robert Allen Leeper
  • CJB68

       I generally got into music from the 1960s and 1970s while coming of age in the mid 1980s.  While most of my peers were either listening to rap, John Cougar Mellencamp, new wave or hair metal, I got into just about everything that came out between 1964 and 1981, save for some of the really weird avante-garde stuff that sounded like the artist was too high on something to be thinking clearly.  Bob Dylan was just one of those whose work, more often than not, struck a chord in me.

       I noticed one thing about his lyrics.  They were ambiguous; you could apply the very words he used against anyone.  How ironic that his peers were too busy naming names and fantasizing about revolutions, while he basically opposed those who abused power.  Period.

       Politically, he may well still be out there on the Left.  Lyrically, however, his work never can be pigeon-holed into any single cause.

    • Robert Allen Leeper

      I think you might like Kurt Vonnegut’s Mother Night and J.G. Ballard’s The Crystal World.