Following Mike Duncan’s public statement, Ken Blackwell and Saul Anuzis have now broken their notable silence on “CD gate” — both statements coming over 24 hours after news of the story initially broke. Mirroring much of the public’s response, two of the three total candidates to offer comment have forcefully criticized Saltsman’s actions, yet he still refuses to apologize for the apparent gaffe.

When first cornered by The Hill’s Reid Wilson, Saltsman was forced to defend his gift as “good humored” political satire, but now we see the problem was not with his gift — and by proxy his judgment — but rather the media’s flawed interpretation.

Saltsman writes:

Liberal Democrats and their allies in the media didn’t utter a word about David Ehrenstein’s irresponsible column in the Los Angeles Times last March.  But now, of course, they’re shocked and appalled by its parody on the Rush Limbaugh Show.

I firmly believe that we must welcome all Americans into our party and that the road to Republican resurgence begins with unity, not division. But I know that our party leaders should stand up against the media’s double standards and refuse to pander to their desire for scandal.

Wow, apparently I was just overreacting. He believes we must welcome “all Americans,” even those ‘magic negroes’ into the party. That’s nice…

Saltsman’s response is typical post-gaffe political maneuvering: He knows he did wrong, but his ego — and campaign — can’t afford to admit it. You’ll note there was no degree of remorse in his statement, only the reactionary condemnation of media bias. Moreover, if Ehrenstein’s column was, as Saltsman claims, “irresponsible,” why then is Shanklin’s satire of the subject just good wholesome fun? Simple answer: It’s not.

Having spent the last year on the campaign trail, I’ll be the last person to argue the media is without bias, but the “victim card” doesn’t lend itself to Republican victories. Republicans cannot win elections by blackballing news outlets, crying foul, and crusading against “unfair” media portrayals.